|
Neil Young
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http://www.neilyoung.com
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| |
Date |
Venue - City, State |
Sound Quality | Source | Notes | Media |
|
| 1. |
02/01/39 |
A Perfect Echo, Vol. 1 (1967-1976) - Compilation,
Compilation |
A | Soundboard | (Compilation)
SHN >FLAC (Level 8) + Tags Via xACT 2.47 |
0 FLAC
|
|
| 2. |
02/02/39 |
A Perfect Echo, Vol, 2 (1978-89) - Various,
Compilation |
A | Soundboard | (Compilation)
SHN >FLAC (Level 8) + Tags Via xACT 2.47 |
0 FLAC
|
|
| 3. |
02/03/39 |
A Perfect Echo, Vol. 3 (1989-1993) - Various,
Compilation |
A+ | Soundboard | (Compilation)
SHN >FLAC (Level 8) + Tags Via xACT 2.47 |
0 FLAC
|
|
| 4. |
02/04/39 |
A Perfect Echo, Vol. 4 (1993-2001) - Various,
Compilation |
A+ | Soundboard | (Compilation)
SHN >FLAC (Level 8) + Tags Via xACT 2.47 |
0 FLAC
|
|
| 5. |
02/05/39 |
A Perfect Echo, Vol. 5 (1970-2003) - various,
Compilation |
A+ | Soundboard | (Compilation)
SHN >FLAC (Level 8) + Tags Via xACT 2.47 |
0 FLAC
|
|
| 6. |
11/09/68 |
Canterbury House - Ann Arbor,
MI |
A | Soundboard Reel >LP (Official Release) >24bit/96khz WAV >Audacity (Down Sample To 16bit/44.1khz) >FLAC (Level 8) + Tags Via xACT 2.47 | Solo Acoustic |
0 FLAC
|
|
| 7. |
02/15/69 |
The Bitter End - New York,
NY |
A | Soundboard Reel | w/Crazy Horse |
0 FLAC
|
|
| 8. |
02/24/70 |
Public Auditorium - Cleveland,
OH |
A- | Soundboard | (Some Minor Flaws)
Fades Between Tracks
|
0 FLAC
|
|
| 9. |
02/25/70 |
Music Hall - Cincinnati,
OH |
A- | Soundboard Reel | Trade CDs >FLAC (Level 8) Via xACT 2.37 |
2 FLAC
|
|
| 10. |
02/25/70 |
Music Hall - Cincinnati,
OH |
A | Soundboard Reel; 'Danny By The River' Boot CD | Slightly More Crisp Sounding Than The Previous Source I Had. Possibly Because Of EQ / Post Processing? It Sounds Like Both Recordings Were Taken From The Same Source. |
0 FLAC
|
|
| 11. |
02/25/70 |
Music Hall - Cincinnati,
OH |
A | Soundboard Reel 'Winterland' Bootleg | Supposedly From A 'New Source'. Sounds Good. At least As Good As 'Danny By The River' bootleg. |
0 FLAC
|
|
| 12. |
03/01/70 |
Boston Tea Party - Boston,
MA |
B | On-Stage Audience Reel? | Sound Is Clear, Though Slightly Echoey. |
0 FLAC
|
|
| 13. |
03/06/70 |
Fillmore East (Early) - New York,
NY |
A- | Soundboard | Most Likely A Compilation From Early And Late Shows. 'Sunset Cowboy' Bootleg. |
0 FLAC
|
|
| 14. |
12/05/70 |
Carnegie Hall - New York,
NY |
A | Monaural Soundboard Reel | The original bootleg was missing the last song, so it was completed from another source. |
0 FLAC
|
|
| 15. |
01/19/71 |
Massey Hall - Toronto,
ON |
A+ | Soundboard Reel | Late Show (Official Release) |
0 FLAC
|
|
| 16. |
01/21/71 |
Music Hall - Boston,
MA |
B+ | Unknown 1st Gen Audience | (Late Show)
Some Hiss, Some Microphone Handling Noise |
0 FLAC
|
|
| 17. |
01/21/71 |
Music Hall - Boston,
MA |
A- | Unknown Audience | (Early Show) |
0 FLAC
|
|
| 18. |
01/27/71 |
Mackey Auditorium, University of Colorado - Boulder,
CO |
A- | Unknown Audience | 'Screamer' Label Bootleg |
0 FLAC
|
|
| 19. |
01/31/71 |
Community Theater (Early) - Berkeley,
CA |
A- | Unknown Audience >1st Gen Cassette >DAT (2) | Early Show |
0 FLAC
|
|
| 20. |
01/31/71 |
Community Theater (Late) - Berkeley,
CA |
A- | Audience 1st Gen >Digital | |
0 FLAC
|
|
| 21. |
02/01/71 |
Dorothy Chandler Pavilion - Los Angeles,
CA |
B+ | Audience >Bootleg LP "I'm Happy That Y'all Came Down" >FLAC | A Bit Of Surface Noise, But Not Bad For The Age. |
1 FLAC
|
|
| 22. |
02/23/71 |
BBC Television Centre - London,
England |
A | Soundboard; Silver> EAC > WAV > Flac | 1. Out On The Weekend
2. Old Man
3. Journey Through The Past
4. Heart Of Gold
5. Don't Let It Bring You Down
6. A Man Needs A Maid
7. Love In Mind
8. Dance Dance Dance
Neil Young - guitar, harmonica, piano |
0 FLAC
|
|
| 23. |
02/27/71 |
Royal Festival Hall - London,
England |
A | Audience; 1st Gen >DAT >FLAC | Upgrade (7/2020). Definitely Clearer And Less His Than My Previous Copy, Which Was A 3rd Gen. |
0 FLAC
|
|
| 24. |
01/08/73 |
Cobo Arena - Detroit,
MI |
A | Audience Cassette Master >CDR >FLAC | Trade CDs >FLAC (Level 8) Via xACT 2.37 |
2 FLAC
|
|
| 25. |
02/03/73 |
Bayfront Center Arena - St Petersburg,
FL |
B+ | Audience Cassette Master >DAT >CDR >EAC >xACT >FLAC | |
0 FLAC
|
|
| 26. |
03/11/73 |
Civic Auditorium - Bakersfield,
CA |
A | Unknown Mics >Sony TC-126 | 1st Gen Cassette >WAV (96/24) >WAV (44.1/16) >FLAC. Transfer: 1st Gen Cassette >Nakamichi 670 >Wavelab 96/24. Taped By: D & D. Transferred By: JEMS.
Sound Quality Is Good, Crowd Is Polite, But Neil's Voice Is RAGGED And Hoarse! |
0 FLAC
|
|
| 27. |
03/22/73 |
Winterland Ballroom - San Francisco,
CA |
B+ | Unknown Audience | |
0 FLAC
|
|
| 28. |
11/03/73 |
Palace Theatre - Manchester,
England |
B | Unknown Audience Cassette | A Little Muddy, A Touch Of Distortion, And A Rowdy Crowd But Recording Is Complete |
0 FLAC
|
|
| 29. |
11/05/73 |
Rainbow Theater - London,
England |
A | Unknown Audience Master >DAT >CD | Neil Young & The Santa Monica Flyers |
2 FLAC
|
|
| 30. |
11/06/73 |
Empire Theatre - Liverpool,
England |
B+ | Unknown Audience Cassette | A Touch Of Distortion But Clear Sound, Good Vocals & Instruments. |
0 FLAC
|
|
| 31. |
11/19/73 |
Music Hall - Cleveland,
OH |
B+ | 12th Row, Right; Sony Microphone >Sony Portable Cassette | Lineage : Master Cassette > WAV > Sound Forge 7.0 (initial mastering) > CDR
> EAC (100% on both CDs) > GoldWave (to cue tracks)
> CoolEdit (removed pops/clicks by hand) > WAV > FLAC
Source : recorded, mixed and mastered by Joe Ray from the Kenai River, AK |
0 FLAC
|
|
| 32. |
05/16/74 |
The Bottom Line - New York,
NY |
A | Unknown Audience | This Was An Unannounced Appearance At A Ry Cooder Show
Solo Acoustic - Very Good Audience Recording - You Can Hear The Beer Bottles Clanging. Most Of The Songs Were Played For The First Time
Silver Disc>SHN (EAC>MKWCompression Tool)
shn>flac Jan 2009 by THB |
1 FLAC
|
|
| 33. |
03/03/76 |
Aichken Taiikukan - Nagoya,
Japan |
A+ | Unknown Audience Cassette Master >CD | "Wet Show" Bootleg (Tarantura Label) > CDR Transfer : CDR > EAC > xACT1.5b3 > flac(8) Changes Made (Nero 7): Adjusted phase, -0.15msec d1, +0.15msec d2tr01-11, none d2tr12-13 (different source?) - fixes left balance bias on headphones & right bias on speakers - instruments now more centrally located in the stereo image field Reuced right channel by 20% on disk 1 only Cross-mixed channels (97:3 disk1 and 95:5 disk2) - instruments / drums clearer and sharper - more bass and background ambience Fixed a number of glitches and (mic?) bumps. Fixed a number of short balance fluctuations Quality: Now worth an A++ for the solo disk1, A+ for Crazy Horse disk2 |
2 FLAC
|
|
| 34. |
03/04/76 |
Festival Hall - Osaka,
Japan |
A- | Unknown Audience | (Shows Minor Clipping In Audacity)
This version of the legendary '76 Osaka show is a merging of two versions of the concert: "Dancing Across The Water" which has the complete setlist, and the superior-sounding but incomplete "Another Osaka".
Ron Starrett was able to take track 1-3 from "Dancing Across The Water" and splice them into "Another Osaka".
He also added Cortez to the end of "Another Osaka", amplified the spliced tracks and normalized them before burning, and split the discs in two sets: acoustic and electric.
Mr. Clean did some additional work trying to blend the songs as seamless as possible. He also cleaned the noise in Mellow my Mind and the lower volume level of Cortez. |
0 FLAC
|
|
| 35. |
03/05/76 |
Festival Hall - Osaka,
Japan |
A | Unknown Audience >Osaka '76 Bootleg CD | |
0 FLAC
|
|
| 36. |
03/06/76 |
Festival Hall - Osaka,
Japan |
A- | Unknown Audience > Bootleg (Tarantura Label) > CDR >FLAC | |
0 FLAC
|
|
| 37. |
03/08/76 |
Kyuden-Kinen Taiikukan - Fukuoka,
Japan |
A | Audience recording > Bootleg (GPK Label) > CDR | Transfer : CDR > EAC > flacfrontend > FLAC (Level 8) |
0 FLAC
|
|
| 38. |
03/24/76 |
Ahoy Hal - Rotterdam,
The Netherlands |
A | Soundboard | **********************************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
********************************************************************** |
Soundboard
|
|
| 39. |
03/30/76 |
Hammersmith Odeon - London,
England |
A- | Unknown Audience; Cass I >CDR >Macintosh >xACT 1.56 >FLAC | notes: ultra rare 'Midnight On The Bay' and 'Let It Shine'. |
0 FLAC
|
|
| 40. |
04/02/76 |
Apollo Theatre - Glasgow,
Scotland |
B+ | Unknown Audience; 1st Gen Cassette >DAT >CDR 1 CDR 2 >Macintosh >xACT 1.56 >FLAC | Clear Sound But Lower Levels And Not Much Dynamic Range |
0 FLAC
|
|
| 41. |
11/06/76 |
Balch Fieldhouse - Boulder,
CO |
A | Soundboard | ******************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
****************************************************** |
FLAC
|
|
| 42. |
11/15/76 |
Auditorium Theater - Chicago,
IL |
A | Soundboard | Late Show
('Chicago Hurricane' Bootleg)
Trade CDs >FLAC (Level 8) Via xACT 2.37 |
2 FLAC
|
|
| 43. |
11/20/76 |
Palladium (Early) - New York,
NY |
A | Sony ECM 33Ps >Sony TC-153SD (Dolby B, Maxell UD-XL90s) | Recorded By Jerry Moore.
15-foot mic cables from 6th row
balcony to the balcony front rail, and 20-foot mic-cord extensions
for a mic spread of approx 40-feet.
Transfer:
Master Cassette played back on Nakamichi Dragon > HHB CDR830Plus >
EAC > SoundForge 6.0 (for fades, tape flip) > CD-Wave 1.94.5 > WAV >
FLAC Frontend (with sector boundary align) > seeded to DAD Aug 2005 |
0 FLAC
|
|
| 44. |
11/22/76 |
Music Hall - Boston,
MA |
A | FOB: Sony ECM-99A > Sony TC-152SD | (Zuma Tour) Late Show
Set I - Solo Acoustic
Set II - w/Crazy Horse
(bonus tracks, Disc II): 7 Down By The River [1976-11-22 early show] 8 Razor Love [1989-12-13 Rotterdam] 9 Give Me Strength [1976-11-15 Chicago, late show] 10 Fingers [1984-09-25 Austin City Limits] 11 Amber Jean [1984-09-25 Austin City Limits] 12 California Sunset [1984-09-25 Austin City Limits] 13 It Might Have Been [1984-09-25 Austin City Limits, By John Greenleaf Whittier.] 14 Soul Of A Woman [1984-09-25 Austin City Limits] 15 Everybody's Alone [1970-12-?? KQED-TV rehearsals, LA] 16 Wonderin' [1970-12-?? KQED-TV rehearsals, LA] |
2 FLAC
|
|
| 45. |
??/??/76 |
The Complete Joel Bernstein Tapes - Compilation,
Compilation |
A | Soundboard | Neil Young - The Complete Joel Bernstein tapes (all 22 songs)
Acoustic soundboard compilation, November 1976
Sources:
Tracks 1-9 and 12-22: "Acoustic Young" bootleg
Tracks 10 and 11: "River of Pride" bootleg
Joel Bernstein worked with Neil Young as a photographer and as his musical archivist. He compiled soundboard recordings of his favorite performances from Neil's acoustic sets in November 1976. These recordings have been widely distributed for a long time -- I believe they first appeared on vinyl under the title "Last Plane Outta Here." (Vinyl is NOT the source of what I have here.)
Most Young collectors have these recordings, but most of them have the version taken from the bootleg titled "Acoustic Young," which is missing two of the 22 songs: "Heart of Gold" and "A Man Needs a Maid."
Here I've used the 20 tracks from "Acoustic Young" and inserted the missing songs in the original correct running order. Those two songs are take from the "River of Pride" bootleg, which I think has slightly lower sound quality compared with "AY," though you may not notice it. I've equalized the volume because the stuff was taken from two sources.
Note that although these are soundboard recordings, they are not direct from the master. The tapes were passed around between friends until someone finally bootleged them. I consider the sound to be excellent for a bootleg -- especially one from 1976 -- though it's not official-release quality. It's a very enjoyable disc, and I consider it to be an essential part of a good Neil Young collection.
Artwork is included.
01. Campaigner, (Boston 11/22/76 Early)
02. Old Laughing Lady, (Atlanta 11/24/76 Early)
03. Human Highway, (Madison 11/14/76)
04. Tell Me Why, (Chicago 11/15/76 Late)
05. After The Goldrush, (Houston 11/11/76)
06. Harvest, (Boston 11/22/76 Late)
07. Mr. Soul, (New York City 11/20/76 Early)
08. Here We Are In The Years, (Atlanta 11/24/76 Late)
09. Journey Through The Past, (Boston 11/22/76 Late)
10. Heart Of Gold, (Fort Worth, Texas 11/10/76)
11. A Man Needs A Maid, (New York City 11/20/76 Late)
12. White Line, (Fort Worth, Texas 11/10/76)
13. Give Me Strength, (New York City 11/20/76 Late)
14. No One Seems To Know, (Boulder, CO 11/7/76)
15. Mellow My Mind, (New York City 11/20/76 Early)
16. Too Far Gone, (Boulder, CO 11/6/76)
17, Needle And The Damage Done, (Atlanta 11/24/76 Early)
18. Pocahontas, (Atlanta 11/24/76 Late)
19. Roll Another Number, (Boston 11/22/76 Late)
20. Losing End, (Atlanta, 11/24/76 Late)
21. Love Is A Rose (Houston, 11/11/76)
22. Sugar Mountain, (Atlanta 11/24/76 Late)
|
0 FLAC
|
|
| 46. |
??/??/76 |
"Rolling Zuma Revue" - Compilation,
Compilation |
A | Soundboard Compilation | Disc I:
Tracks 1-9 Auditorium Theatre, Chicago, IL Nov 15 1976 Late Show
Tracks 10-16 Festival Hall, Osaka, Japan March 5 1976
Disc II:
Tracks 1-7 Auditorium Theatre, Chicago, IL Nov 15 1976 Late Show
Tracks 8-12 Festival Hall, Osaka, Japan March 5 1976 |
0 FLAC
|
|
| 47. |
07/??/77 |
Club Shows w/ The Ducks - Compilation,
CA |
A | Soundboard; Multitrack Masters >Dolby B Encoded Maxell UDXLII Casettes (Unknown Recording Decks). | Neil Young - guitar, harmonica, vocals
Bob Mosley - bass, vocals
Jeff Blackburn - guitar, vocals
Johnny C. (Craviotto) - drums, vocals
Transfer [2013-08-27]: Nakamichi Dragon (Dolby B decoded) > Macintosh with Digidesign Audiomedia III sound card > Pro Tools (minor "nip and tuck" edits, normalization & tracking - no EQ or additional noise reduction) > AIFF >xACT (Flac level 8 files with sector boundaries verified). |
0 FLAC
|
|
| 48. |
08/22/77 |
The Catalyst - Santa Cruz,
CA |
A- | Unknown Audience | Neil Young & The Ducks |
0 FLAC
|
|
| 49. |
05/27/78 |
The Boarding House (Late) - San Francisco,
CA |
A- | Unknown Audience | Late Show
Clear Sound, One Mic Bump In 'Pocohontas'.
tape master > DAT (48kHz) -> DAT clone(s) -> optical cable -> CoolEdit * -> wav -> CD Wave Editor (tracking) -> wav -> TLH -> flac
(*edits, fades, downsampling to 44,1 kHz) |
1 FLAC
|
|
| 50. |
05/27/78 |
The Boarding House (Late) - San Francisco,
CA |
A | Unknown Audience; Bootleg CD 'One Stop World Tour'. | Same Source As The Other Recording Of This Night In My Collection, Though This One Has Stronger Levels.
FLAC Tags Via xACT 2.50 By OldNeumanntapr |
0 FLAC
|
|
| 51. |
10/22/78 |
Cow Palace - Daly City,
CA |
A+ | Soundboard; 'Live In San Francisco' Bootleg CD (2007, Netherlands) | Appears To Be A Copy Of The Soundtrack From The 'Rust Never Sleeps' Commercial DVD |
0 FLAC
|
|
| 52. |
10/23/78 |
The Forum - Inglewood,
CA |
A | 2 Sennheiser MKH404-tu Microphones >TEAC PC-10 w/ Dolby | Copy (1979)
Akaii GX570 D2 w/ Dolby > TEAC AN-180 (Dolby) > Revox B-77 using TDK Audua L-1800 tape
Transfer (2015)
Revox B-77 > TEAC AN-60 (Dolby) > Korg mr2000-s @ 1 bit 5.6 MHZ DSDIFF
Mastering:
AudioGate (24-96) > iZotope RX4 Advanced/Adobe Audition 3.0 > AudioGate (16-44) > TLH (flac 8)
Song information embedded with Stamp ID3 tag editor |
0 FLAC
|
|
| 53. |
??/??/78 |
Boarding House - San Francisco,
CA |
A | Soundboard | Compilation |
0 FLAC
|
|
| 54. |
10/03/80 |
The Greek Theatre - University Of California - Berkeley,
CA |
B+ | Audio Technica AT-801 Omnis >Sony TC-D5 Master >Cass 1 >CDR >FLAC | Bread And Roses Benefit
Master Transferred: Sony TC-D5 >Luxman EQ G111 >Nakamichi CR-3A
XLII Cass I Transferred: Sony TC-D5M >HHb CDR 800 PRO
CD Master >FLAC (Level 8) + Tags Via xACT 2.37
Master Recorded & Transferred By Lee, With A TC-D5 Not A TC-D5M
Cass I Transferred, FLAC’d, & Tagged By OldNeumanntapr
OldNeumanntapr Notes:
I received this show as a first gen XLII cassette in late 1989 or early 1990, from a friend of the taper when I was in college. |
1 FLAC
|
|
| 55. |
10/03/80 |
The Greek Theatre - University Of California - Berkeley,
CA |
A- | Electrovoice RE-10 Dynamic Cardioids >Sony TC-D5 Cass Master (Maxell UD-XL1 Normal Bias) | Transferred with Nakamichi Dragon cassette deck -> Macintosh Pro Tools -> CD.
Flac files created and sector boundaries verified with XAct.
md5 file created with checkSum+. |
0 FLAC
|
|
| 56. |
07/13/82 |
Catalyst - Santa Cruz,
CA |
A | Left Front Balcony, 1st Table; Nakamichi CM-300s >Nakamichi 550 Cassette Master (XLII) | Playback > Nak Dragon (Dolby Decoded) No EQ > Digidesign A/D > Apple G3 laptop Bias Peak (editing) > Jam Burning > Yamaha cd writer > cdr > Toast 9 > xACT 1.62 > Flac 8 >WAV >CDR |
2 FLAC
|
|
| 57. |
08/04/82 |
The Keystone Club - Palo Alto,
CA |
B+ | Unknown Audience | |
0 FLAC
|
|
| 58. |
08/11/82 |
Sherwood Hall - Salinas,
CA |
A | Nakamichi CM 300's >Sony TC-D5M (Dolby B)
| (Three Songs Filler From 8/12/82, Sherwood Hall, Salinas, CA)
Transferred: Nakamichi Dragon (Dolby Decoded)>Apple G4 (RME A/D) |
2 FLAC
|
|
| 59. |
08/14/82 |
Catalyst - Santa Cruz,
CA |
A | Nakamichi CM-300's >Nakamichi 550 Cassette Master (Dolby B / XLII) | Neil Young & The Trans Band
(1st Table, Left Front Balcony; 1st Deck In Daisy Chain Of Three Decks: Nak 550 >Sony TC-D5M >Sony TC-D5M)
Playback: Nakamichi Dragon (Dolby B Decoded) > Panasonic 3800 DAT (internal A/D conversion 44.1k, Maxell Pro DAT 124) > Apple G4 (Peak editing) > xACT (FLAC) |
2 FLAC
|
|
| 60. |
08/31/82 |
Parc des Sports - Annecy,
France |
B+ | Unknown Audience | |
0 FLAC
|
|
| 61. |
09/04/82 |
Rheinweissen - Wiesbaden,
West Germany |
A- | Audience; Stereo Mic >Aiwa Cassette | ************************************************************************
FLAC Tags Via xACT 2.53 By OldNeumanntapr
************************************************************************ |
FLAC
|
|
| 62. |
09/11/82 |
Stadio dei Pini - Viareggio,
Italy |
B+ | Unknown Audience; Bootleg LP >Unknown Gen XLII >Wavelab 3.0 >FLAC | |
0 FLAC
|
|
| 63. |
09/30/82 |
Vorst Nationaal - Brussels,
Belgium |
A | Unknown Audience; Bootleg CD 'I Don't Want To Talk About It' >EAC >WAV >FLAC | |
0 FLAC
|
|
| 64. |
10/10/82 |
Brandby Hallen - Brandby,
Denmark |
A | Sony ECM 150 Cardioids >Sony TC-D5M (Sony FeCr90 Cassettes) | Transfer: Master tapes -> SONY TC-D5M -> Tascam DR-05 -> HD > Audacity 2.1.3 -> FLAC
Two tracks assembled: Track 9 at 3:25.96 and Track 18 at 5:22.36.
Compression details: Threshold: -20 dB / Noise floor: -35 dB / Compression rate: 1,5 to 1 / Attack time: 0.2 sec /
Release time: 1.0 sec / Compres from maximum values: yes / Compressed from signal at 0 Db.
Equalizing details: 160Hz: +2 Db / 250: -1 / 315: -2 / 800: -1 / 8KHz: +1 / 10K: +1 / 12K: +1 / 16K: +1 / (both channels)
A HONECKER RECORDING. 101:19 min. Transfer done 04-2020.
************************************************************************
FLAC Tags [Amended] Via xACT 2.53 By OldNeumanntapr (+ front cover artwork)
************************************************************************ |
FLAC
|
|
| 65. |
01/05/83 |
Civic Auditorium - Santa Cruz,
CA |
A | Audience Cassette Master >CDR | Transfer: Cassettes > Nakamichi Dragon > Audiomedia III > ProTools > Jam > CDR > Flac16
(1st Song From Alternate Source) |
2 FLAC
|
|
| 66. |
01/18/83 |
Activity Center. Arizona State U - Tempe,
AZ |
A | FOB: Nakamichi CM-300's >Sony TC-D5 >Cass 1 >CDR >FLAC | 4th Row Center: 1st Gen Cassette Played Back On Nakamichi CR7E w/Azimuth Corrected >
Edirol R-09/ SD-Card-Wav >HD (CDWave Tracksplitting) >Flac >CDR >FLAC |
2 FLAC
|
|
| 67. |
01/23/83 |
Universal Amphitheater - Los Angeles,
CA |
A | 2 Sennheiser MKH404-tu Microphones >Sony TC-D5 | Akai GX570-D2 w/ Dolby > Revox B-77
Transfer
Revox B-77 > Korg MR2000-s @ 1 bit 5.6 MHz DSDIFF
AudioGate (24-96) > iZotope RX6 Advanced & Har-Bal 3.0 > CD Wave > AudioGate (16-44) > TLH (flac level 8)
** This tape was paused between songs and for some forgotten reason it is missing "Powderfinger".
A very nice alternate capture of this concert was shared from "The Dutch Masters Archives" and the missing song was borrowed from that.
Transfer: DAT played on Sony DTC-790 deck -> S/PDIF cable -> Terratec Aureon 5.1 soundcard -> Adobe Audition -> WAV -> CDWave -> WAV -> FLAC
Inserted the missing segment into our recording to complete the second set
iZotope RX6 Advanced & Har-Bal 3.0 > CD Wave > AudioGate (16-44) > TLH (flac level 8) (same as above)
With a quiet acoustic performance the crowd was excessively loud.
The volume has been reduced in the appropriate areas to make this play smoother.
****
This is another fine recording from the Universal Amphitheatre.
One of our favorite venues in Los Angeles as the acoustics were perfect for audience recordings.
We called ourlittle band of recorders the Los Angeles tape eXchange (LAX).
For this tape John Musgrave was the recording engineer with Mark (the B-Man) and Mike Martin (the Flying M) holding the microphones.
Equipment was the Sony D-5 M cassette deck and two Sennheiser mkh-404tu microphones about 6 feet apart.
The master cassette was played back on my Akai GX570-D2 (w/ Dolby) and copied on my Revox B77 using Maxell UD-35 90 tape.
Previously shared back in 2010 this is an upgrade.
Newly transferred from that same first generation R2R using better equipment and software.
This also includes that missing track which is a bonus.
Thanks to Suzie for sneaking the tape deck into the show all those years ago.
Thanks again to "The Dutch Master's Archives" for filling in the missing piece on my tape.
For historic reference only and not intended for resale or any commercial uses.
enjoy
-M- (new transfer 2017)
FLYING M PRODUCTIONS |
0 FLAC
|
|
| 68. |
01/25/83 |
Cow Palace - Daly City,
CA |
A- | Audio Technica AT-801 Omnis >Sony TC-D5 | Cassette Master >CDR >FLAC
(Nakamichi CR-3A >Luxman EQ G111 >M-Audio 2496 >CoolEdit >CdrCue >Cdrwin)
Trade CDs >Extracted As One-Track WAV Files Via xACT 2.37 >Audacity (Amplify, Track Splits, Minor Edits) >FLAC (Level 8) + Tags Via xACT 2.37
Recorded, With a TC-D5 Not A TC-D5M, & Transferred By Lee
FLAC’d & Tagged By OldNeumanntapr
Recorded & Transferred By Lee
Audacity, FLAC’d & Tagged By OldNeumanntapr |
2 FLAC
|
|
| 69. |
01/31/83 |
UIC Pavilion - Chicago,
IL |
A- | Unknown Audience; Cassette Master >DAT (EXTIGY External Soundcard Connected With An Optical Cable To DAT And Transfered On Computer Via FIREWIRE At 24bit/48kHz with GOLDWAVE SOFTWARE.
Resampled To 16bit/44.1kHz >CDWAVE >FLAC | Music Is Really Clear, With Occasional Crowd Bursts, And Mic Noise.
(Upgraded July 2020. Same Original Source But Now Direct From Master Tape). |
2 FLAC
|
|
| 70. |
02/08/83 |
Carmichael Auditorium - Chapel Hill,
NC |
B+ | 3rd Gen Audience | **************************************************************************************
FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Amplify By 6.4db, Re-Track On Original Index Points, Minor Edits And Repairs [Dan Clear Tracks]) >FLAC (Level 8) + Tags Via xACT 2.53 (And Front-Cover Artwork) By OldNeumanntapr
************************************************************************************** |
FLAC
|
|
| 71. |
02/14/83 |
New Haven Coliseum - New Haven,
CT |
B+ | Unknown Audience; Cassette >Technics SV-DA10 DAT >Optical cable >M-AUDIO Audiophile firewire >Firewire >PC>GOLDWAVE (16 bit 48 Khz) >FLAC | ************************************************************************
FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork)
************************************************************************
|
FLAC
|
|
| 72. |
02/17/83 |
Community War Memorial Auditorium - Buffalo,
NY |
A+ | Soundboard | |
FLAC
|
|
| 73. |
03/04/83 |
Louisville Convention Center - Louisville,
KY |
A- | Unknown Audience | TDK AD 60 Cassette Transferred Via Sony TC-D5M >Tascam DR100mkII (24bit/48kHz)
WAV >Audacity (Index Tracks, Downsample To 16 Bit / 44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork)
OldNeumanntapr Notes:
I've had this cassette since 1987 and got it from my friend Tim Harris. It was only marked 'Neil Young Louisville', so I had to search through Setlists.fm to match up the setlist with a date. It's not a bad recording, and is clear and up-front sounding, though there is some talking from the taper in a few places. I was really surprised that no one at etree had it in their collection. Neil mentioned taking an intermission at the end of the recording, but apparently he ended the show early because of the flu and there was a riot, described in the following newspaper report:
LOUISVILLE, Ky. -- Flu-stricken musician Neil Young ended his concert early Friday night and passed out in his dressing room while fans jeered and threw chairs. Three people were arrested.
Police said there were no injuries.
Those taken into custody were charged with inciting a riot, wanton endangerment, criminal mischief and criminal attempted assault.
Police restored ordered in about an hour at the state-owned Commonwealth Convention Center, where about 5,500 people paid $10.50 and $12.50 for the concert.
Dr. Richard Greathouse of Louisville, a pediatrician and elected Jefferson County coroner, announced to the crowd that Young had become ill and was unable to continue the performance.
The announcement prompted jeers by the crowd. Some people threw cups of beer and tossed chairs. Police estimated damage at the downtown convention hall at $1,000.
A spokesman for Sunshine Productions, the agency that booked the concert, said Young has been suffering from the flu for several days.
'He's very sick,' Sunshine spokesman Steve Cohen said. 'The rigors of the road are not an easy thing and an illness doesn't make it any better.'
Cohen said the concert probably would be rescheduled. He promised a prompt announcement on tickets for those who had attended the abbreviated concert.
|
FLAC
|
|
| 74. |
02/06/84 |
The Catalyst - Santa Cruz,
CA |
A | Nakamichi CM300 mics > patched from lead deck > Marantz
PMD-360 > Sony UCXS-90's w/no Dolby. | (Early Show)
Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 >
CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 16/44 tagged. |
0 FLAC
|
|
| 75. |
02/06/84 |
The Catalyst - Santa Cruz,
CA |
A | Nakamichi CM300 mics > patched from lead deck > Marantz
PMD-360 > Sony UCXS-90's w/no Dolby. | (Late Show)
Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 >
CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 16/44 tagged. |
0 FLAC
|
|
| 76. |
02/06/84 |
The Catalyst - Santa Cruz,
CA |
A+ |
Soundboard (Remastered) | (Early Show)
Liberated Broken Arrow Records bootleg (1) |
0 FLAC
|
|
| 77. |
02/06/84 |
The Catalyst - Santa Cruz,
CA |
A+ | Soundboard (Remastered) | (Late Show)
Liberated Broken Arrow Records bootleg (2) |
0 FLAC
|
|
| 78. |
02/07/84 |
The Catalyst - Santa Cruz,
CA |
A | Soundboard; Sony TC-D5M (Dolby B) | (Late Show)
Transfer: Nakamichi Dragon(Dolby B decoded) > Audiomedia III > Apple G4 (ProTools) > xACT |
1 FLAC
|
|
| 79. |
06/06/84 |
Saddle Rack (Early) - San Jose,
CA |
A- | Unknown Audience; Cass Master >Cass 1 >DAT | Early Show:
Edited and Mastered by Jamie Waddell on the GEMS Edit Station
Trac'ed Cdwave, Flac'ed TLH Level 8
a **GEMS Production** www.shnflac.net
Seeded at Lossless Legs
Notes
- Couple of small dropouts here and there.
- Giant Thanks to Dgale for his dats!!!
Trade FLACs >WAV >Audacity (Combine Files To A One-Track File, Amplify By 3.4 db, Re-Track On Original Index Points) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr |
0 FLAC
|
|
| 80. |
06/06/84 |
Saddle Rack (Late) - San Jose,
CA |
A- | Unknown Audience; Cass Master >Cass 1 >DAT | Late Show:
Edited and Mastered by Jamie Waddell on the GEMS Edit Station
Trac'ed Cdwave, Flac'ed TLH Level 8
a **GEMS Production** www.shnflac.net
Seeded at Lossless Legs
Notes
- Couple of small dropouts here and there.
- Giant Thanks to Dgale for his dats!!!
Trade FLACs >WAV >Audacity (Combine Files To A One-Track File, Amplify By 3.4 db, Re-Track On Original Index Points) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr |
0 FLAC
|
|
| 81. |
09/11/84 |
Newport Music Hall - Columbus,
OH |
B+ | Nakamichi CM 300s >Sony TC-D5 | Loud Crowd Noise, Taper In The Back Of Hall.
Transfer: Nakamichi 1000 >HHb CDR 850 >Sound Forge 6 >CDWin >EAC |
0 FLAC
|
|
| 82. |
09/25/84 |
KLRU Studios - Austin,
TX |
A | Soundboard | |
0 FLAC
|
|
| 83. |
09/27/84 |
World's Fair International Amphitheater - New Orleans,
LA |
A | Soundboard; Cassette Master >DAT >CDR >FLAC | (Neil With The International Harvesters) Missing 'Are You Ready For The Country'.
Trade CDs >FLAC (Level 8) Via xACT 2.37 |
2 FLAC
|
|
| 84. |
10/26/84 |
Greek Theatre, U. Of California - Berkeley,
CA |
A | Audience | (FOB: Cassette Master) Filler, Disc II: (27:08) 10. Sugar Mountain * 4:33 11. The Needle And The Damage Done * 2:26 12. Helpless * 4:19 13. Nothing Is Perfect * 4:38 14. Powderfinger * 4:41 15. Only Love Can Break Your Heart # 3:57 16. Find The Cost Of Freedom # 2:31 Tracks 10 through 16 from Live Aid 1985 July 13 JFK Stadium Philadelphia, PA * Neil Young & The International Harvesters # Crosby, Stills, Nash, & Young
Trade CDs >FLAC (Level 8) Via xACT 2.37 |
2 FLAC
|
|
| 85. |
03/12/85 |
Festival Hall - Melbourne, Victoria,
Australia |
A- | Unknown Audience Cassette Master >Cass 1 >DAT >CDR >EAC >Protools | |
0 FLAC
|
|
| 86. |
07/13/85 |
J.F.K. Stadium - Philadelphia,
PA |
A | Cable TV Broadcast >VCR >CDR >FLAC | Filler On Neil Young 10/26/84 Berkeley, CA Disc II |
1 FLAC
|
|
| 87. |
08/19/85 |
Indianapolis State Fair Coliseum - Indianapolis,
IN |
A | Unknown FOB Audience | Listed As 'Recorder 2'. Very Clear, Up-Front Sound With Little To No Crowd Noise. Music Is Clear And Instruments And Vocals Clean And Well Defined.
Tape Flip In 'Sugar Mountain', First 20 Seconds Of 'Powderfinger' Missing. |
0 FLAC
|
|
| 88. |
08/23/85 |
Zoo Amphitheater - Oklahoma City,
OK |
A- | 2 x Sony ECM33F > Marantz PMD430 (DBX On) [Maxell XLII] | Transfer: Audience Master (DBX Off) > Nakamichi CR-5A (Azimuth Adjusted) > MacBook Pro > Audacity > Peak Pro XT (Volume Smoothing/Edit/Indexing) > xACT > FLAC
New azimuth adjusted transfer |
0 FLAC
|
|
| 89. |
08/27/85 |
Fox Theatre - St. Louis,
MO |
B | Audio Technica AT-9100 Stereo Mic >Sony WM-D6 (w/Dolby C) | |
0 FLAC
|
|
| 90. |
09/07/85 |
Mann Music Center - Philadelphia,
PA |
A | AKG 414s (Cardioid Setting) >Sony D5 | Analog Master > Nakamichi CR7A > Korg MR-1>
1 bit/ 2.8 mhz DSD > Audiogate 2.2.1 > 24/96 wav > adobe audition 7 > ozone 5 > xACT 2.36 > flac 16
taper : tom the taper
transferred, edited & mastered : edtyre
everything else : nicky c
|
0 FLAC
|
|
| 91. |
09/10/85 |
Pier 84 - New York,
NY |
A- | Audience Cassette Master >DAT >DAT Clone | Transfer:
DAT > wav w/ Opcode DATport > Adobe Audition (fade i/o, sample rate convertion) > CDwav (tracking) > flac(8) |
0 FLAC
|
|
| 92. |
11/13/86 |
Community Center - Tucson,
AZ |
A- | Realistic Boundary Mics > Sony WM-D6C Master | Recorded By Mark Anderson, With Mics In Baseball Cap, From Section 113, Row K, Seat 1.
Lineage: Sony D6C -> TDK MA-R 90 Master Cassette -> TDK SA-90 -> TADCAM 464 ->
M Audio Delta 1010 -> 24/96 Wav -> 16/44.1 Wav -> flac
Trade FLACs >WAV >Audacity (Combine Files To A One-Track File, Amplify By 3.6 db, Re-Track Along Original Index Points) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr |
0 FLAC
|
|
| 93. |
??/??/86 |
Westwood One Superstart Concert (Various) - Various,
Unknown |
A | Soundboard | Westwood One LPs |
1 FLAC
|
|
| 94. |
06/02/87 |
National Exhibition Centre - Birmingham,
England |
A | Soundboard | Neil Young & Crazyhorse |
0 FLAC
|
|
| 95. |
08/18/87 |
Poplar Creek Music Theatre - Hoffman Estates,
IL |
B+ | Unknown Audience Cassette >DAT >CDR >FLAC | Transfer : DAT PIONEER>Optical cable>EXTIGY External soundcard>USB>PC>COOL EDIT (16 bit 44.1 khz), Equalization - Pitch Adjusted - Volume level of both channel -
Fade in & out - CD WAVE (tracks split)> >FLAC (Level 6) aligned at sector boundaries + Fingerprint & Md5
(Neil Young & Crazy Horse) |
0 FLAC
|
|
| 96. |
08/29/87 |
Great Woods Center for the Performing Arts - Mansfield,
MA |
A+ | Soundboard | |
FLAC
|
|
| 97. |
11/12/87 |
The Old Fillmore (Early) - San Francisco,
CA |
A | Unknown Audience | (Neil Young & The Blue Notes) |
1 FLAC
|
|
| 98. |
06/10/89 |
Bally's Grandstand - Atlantic City,
NJ |
A- | Unknown Audience 1st Gen From DAT | Some Crowd But Music Is Clear |
0 FLAC
|
|
| 99. |
06/14/89 |
Jones Beach Music Theater - Wantagh,
NY |
A | Soundboard | |
FLAC
|
|
| 100. |
08/19/89 |
Greek Theatre - Los Angeles,
CA |
B- | Sony ECM-909 Stereo Cardioid >Sony WM-D3 >Cassette 1 >WAV >FLAC | XLII Cass I Transferred: Sony TC-D5M >Tascam DR-100mkII (24/48)
WAV >Sound Forge Pro 10.0a (Minor Edits & Normalize) >[Sony Wave Hammer (Lower Crowd Screams)] > iZotope RX3 Advanced v3.00.695 (Declick) >Audacity (Track Splits, Down Sample/Dither To 16 Bit/44.1k) >FLAC (Level 8) + Tags Via xACT 2.37
Master Recorded By John Lech
Cass I Transfer, Audacity, FLAC, & Tags By OldNeumanntapr
Soundforge Pro, Sony Wave Hammer By Dennis Orr
January 2016 Cassette Transfer
Crowd Noise / Distortion Between Songs. Music Sounds Good But Crowd Is Noisy. If It Wasn't For The Distorted Crowd Noise Between Songs The Quality Rating Would Be Higher. |
1 FLAC
|
|
| 101. |
08/19/89 |
Greek Theatre - Los Angeles,
CA |
B+ | Sony ECM-909 Stereo Cardioid >Sony WM-D3 >Cassette 1 >WAV >FLAC | (Repitched!)
XLII Cass I Transferred: Sony TC-D5M >Tascam DR-100mkII (24/48)
WAV >Sound Forge Pro 10.0a (Minor Edits & Normalize) >[Sony Wave Hammer (Lower Crowd Screams)] > iZotope RX3 Advanced v3.00.695 (Declick) >Audacity (Track Splits, Down Sample/Dither To 16 Bit/44.1k) >FLAC (Level 8) + Tags Via xACT 2.37
Master Recorded By John Lech
Cass I Transfer, Audacity, FLAC, & Tags By OldNeumanntapr
Soundforge Pro, Sony Wave Hammer By Dennis Orr
January 2016 Cassette Transfer
Tracks speed adjusted with Audacity -7.570%
As tags were stripped during speed adustment, retagged using winamp
flac level 8 and checksum with traderslittlehelper
Speed adjustment, retag, reflac and checksum by arfarf
Crowd Noise / Distortion Between Songs. Music Sounds Good But Crowd Is Noisy. If It Wasn't For The Distorted Crowd Noise Between Songs The Quality Rating Would Be Higher. |
0 FLAC
|
|
| 102. |
08/20/89 |
Greek Theatre - Los Angeles,
CA |
B+ | Sony Stereo Mic (Unknown Model) >Sony WM-D6C Cass Master >Cass I >CDR >FLAC | Sony XLIIS Cassette I Transferred: Sony TC-D5M >Tascam DA-30
CD Masters >Audacity (Minor Edits) >FLAC (Level 8) + Tags Via xACT 2.37
Recorded by John (Unknown Last Name)
Cass I Transferred, FLAC’d, & Tagged By OldNeumanntapr
(Some Crowd, But Music Is Really Clear.) |
2 FLAC
|
|
| 103. |
08/20/89 |
Greek Theatre - Los Angeles,
CA |
A+ | AKG 451E's (CK-1 Cardioid Capsules) >Nakamichi 550 Cassette | JEMS 2022 Transfer: Mike Millard First-Generation Cassette made for Ed F > Nakamichi RX-505 (azimuth adjustment) > Sound Devices USBPre 2 > Audacity 2.0 capture 2496 > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 1644 > Audacity > TLH > FLAC
**********************************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
********************************************************************** |
FLAC
|
|
| 104. |
08/22/89 |
County Bowl - Santa Barbara,
CA |
B+ | FOB; (4th Row Orchestra Pit) Audience Cassette Master [Wonder Deck] >CDR >FLAC | TDK SA-100 Master Transferred To CDR Via: Sony TC-D5M->HHb CDR 800 PRO
CD Masters >FLAC (Level 8) + Tags Via xACT 2.37
Master Was Borrowed For Transfer.
(Some Crowd Noise, But Up-Front Clear Sound)
Recorded By Rick Williams
Transferred, FLAC’d & Tagged By OldNeumanntapr |
2 FLAC
|
|
| 105. |
08/26/89 |
Kingswood Music Theater - Toronto,
ON |
A- | Unknown Audience | Some Crowd Noise But Music Is Clear |
0 FLAC
|
|
| 106. |
08/27/89 |
New York State Fair Grandstand - Syracuse,
NY |
B+ | Realistic Stereo Cardioid >Sony WM-D6C | Lots Of Crowd Noise |
0 FLAC
|
|
| 107. |
08/28/89 |
Poplar Music Theater - Hoffman Estates,
IL |
A- | Unknown AUD | Some Crowd Noise But Clear Music |
0 FLAC
|
|
| 108. |
08/31/89 |
Merriweather Post Pavilion - Columbia,
MD |
A- | Unknown Audience | Very Clear Sound But Some Crowd Noise |
0 FLAC
|
|
| 109. |
09/02/89 |
Veterans Memorial Park - Manchester,
NH |
A | Unknown Audience | Really Clear Sound |
0 FLAC
|
|
| 110. |
09/04/89 |
Saratoga Performing Arts Center - Saratoga Springs,
NY |
A | Unknown Analog Master >DAT | |
0 FLAC
|
|
| 111. |
09/06/89 |
Palladium - New York,
NY |
B+ | Unknown 3rd Gen Analog Audience | Transfer:
JVC tape deck > Edirol R-09 > Adobe Audition (edits, fades) > CDWave (tracking) > flac(8)
|
0 FLAC
|
|
| 112. |
09/09/89 |
Red Rocks Ampitheatre - Morrison,
CO |
A | Beyer M-201s >Sony WM-D6C (MX90) HiHi VHS (XL120) | Transfer - Panasonic AG-5210 > M-Audio 2496 > Sound Forge 8 > FLAC (16bit/44.1khz) |
0 FLAC
|
|
| 113. |
12/08/89 |
Grosse Freiheit - Hamburg,
Germany |
A | FM Broadcast | (Opening Of 'Hey Hey My My' Is Cut) Incomplete Broadcast.
Trade CD >FLAC (Level 8) Via xACT 2.37 |
1 FLAC
|
|
| 114. |
12/10/89 |
Muziektheater Stopera - Amsterdam,
Holland |
A | Soundboard | Trade CD >FLAC (Level 8) Via xACT 2.37 |
1 FLAC
|
|
| 115. |
12/11/89 |
Elysée Montmartre - Paris,
France |
A | FM Broadcast | |
0 FLAC
|
|
| 116. |
12/11/89 |
Elysée Montmartre - Paris,
France |
A+ | Soundboard (Complete) | |
FLAC
|
|
| 117. |
12/13/89 |
Ahoy Sportpaleis - Rotterdam,
Holland |
A | FOB; Sennheiser MKE 40-60's >Sony WMD6C (Maxcell XLIIS) | Trade CDs >FLAC (Level 8) Via xACT 2.37 |
2 FLAC
|
|
| 118. |
11/13/90 |
The Catalyst - Santa Cruz,
CA |
A | FOB; Floor; B & K Omnis >Panasonic SV-255 >DAT >VHS 1 >CDR >FLAC | [w/Crazy Horse]
Trade VHS Transferred: Mitsubishi HS-U59 >HHb CDR 800 PRO
CD Masters >FLAC (Level 8) Via xACT 2.37 By OldNeumanntapr
|
3 FLAC
|
|
| 119. |
11/13/90 |
The Catalyst - Santa Cruz,
CA |
A | Schoeps MK4s >DAT Master >DAT 1 | |
0 FLAC
|
|
| 120. |
02/06/91 |
Philadelphia Civic Arena - Philadelphia,
PA |
A- | Nakamichi CM 300s >Sony TC-D5 | (TapeTyrant Master Series Volume 75)
************************************************************************
FLAC Tags Via xACT 2.53 By OldNeumanntapr
************************************************************************ |
FLAC
|
|
| 121. |
02/27/91 |
Capital Centre - Landover,
MD |
A | Soundboard; Wolfgangs Vault Web Stream | Transfer: wolfgangsvault.com web stream > R-09 > ProTools > xACT 2.23 > flac(8)
Length: 120:27 |
0 FLAC
|
|
| 122. |
01/25/92 |
Opera House - Spokane,
WA |
A | Digital Audience, Possibly Core Sound Binaurals >Sony TCD-D3 | |
2 FLAC
|
|
| 123. |
05/17/92 |
Public Auditorium - Cleveland,
OH |
A- | OKMIIs >Sony TCD-D7 | Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o.
CD Masters >FLAC (Level 8) Via xACT 2.37 By OldNeumanntapr
(Some Crowd Noise, Small Changes In Levels)
|
1 FLAC
|
|
| 124. |
05/20/92 |
Fox Theater - Detroit,
MI |
A | Unknown Audience; Analog Master >DAT >CDR >CDR | ************************************************************************
FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork)
************************************************************************
Macintosh .xACT 1.59 >FLAC |
FLAC
|
|
| 125. |
06/29/92 |
Saratoga Performing Arts Center - Saratoga Springs,
NY |
A | Nakamichi CM-700's >Teac DA-20 >Sony TC-D5M (Patched) | |
2 FLAC
|
|
| 126. |
09/12/92 |
Deer Creek Music Center - Noblesville,
IN |
A | Unknown Digital Audience | Missing 'After The Goldrush' |
2 FLAC
|
|
| 127. |
09/21/92 |
Greek Theatre - Los Angeles,
CA |
A | Neumanns, Unknown Model >DAT (Right Terrace Level) | Trade DAT Transferred: Tascam DA-30 >S/PDIF >HHb CDR 800 PRO
Tayio-Uden CD Masters >FLAC (Level 8) Via xACT 2.37 By OldNeumanntapr |
2 FLAC
|
|
| 128. |
09/22/92 |
Greek Theatre - Los Angeles,
CA |
A | Sony ECM 939T Stereo Cardioid >Sony TCD-D8 DAT | An installment from the BR Archives, the RR-edit version.
Taper: BR
Location: unknown
Lineage: DAT Master > DAT Clone
Transfer: Pioneer D-05 > Tascam SS-R1 > CF-card reader > PC > WAV > RR-Edit > flac (TLH level 8)
RR-Edit: Manual cutting of loud claps, crowd, normalisation per track to -3dB, "Sonic Maximizer" |
0 FLAC
|
|
| 129. |
09/26/92 |
Bally's Casino - Las Vegas,
NV |
B | FOB; DSM-6P's->Sony TCD-D3 DAT | LOTS Of Crowd Noise! |
1 DAT
|
|
| 130. |
11/01/92 |
Shoreline Amphitheatre - Mountain View,
CA |
A | Nakamichi CM-300s w/CP-1 Cardioid Capsules >Sony WM-D6C Cassette Maste >CDR >FLAC | (Recorded By OldNeumanntapr), Center Of Lawn, Off Of Repeater Towers Cass Master >CDR Transfer Via: Sony TC-D5M >HHb CDR 800 PRO [Filed With 'Bridge Benefits']
CD Master >FLAC (Level 8) Via xACT |
0 FLAC
|
|
| 131. |
11/14/92 |
Riverside Theater - Milwaukee,
WI |
B+ | Audio Technica ATR-35s >Sony WM-D6C (XLIIS w/Dolby C) | (Music Is Clear But Recording Suffers From Crowd Noise, Some Distorted)
Lineage: master tape >Harmon Kardon TD 302, heads aligned to tape, dolby C decoded >
CDRW-DA >WAV (Tracking via wavepad) >FLAC (level 8) via traderslittlehelper |
0 FLAC
|
|
| 132. |
11/15/92 |
Riverside Theater - Milwaukee,
WI |
A | Audio Technica ATR-35s >Sony WM-D6C (XLIIS w/Dolby C) | Lineage: master tape >Harmon Kardon TD 302, heads aligned to tape, dolby C decoded >
CDRW-DA >WAV (Tracking via wavepad) >FLAC (level 8) via traderslittlehelper |
0 FLAC
|
|
| 133. |
03/01/93 |
Dorothy Chandler Pavilion - Los Angeles,
CA |
A | Digital Audience | ***********************************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
*********************************************************************** |
FLAC
|
|
| 134. |
06/12/93 |
Concord Pavillion - Concord,
CA |
A | Schoeps MK4s >Reutelhuber Mod >DAT | Recorded By DaspyKnows 'Group Effort'
DAT Clone From Master Transferred On
Panasonic SV3800 To Tascam CD-RW700 >WAV >FLAC |
0 FLAC
|
|
| 135. |
06/13/93 |
Civic Auditorium - Santa Cruz,
CA |
A+ | FOB; Neumann KM-84's->Sony TCD-D3 DAT | Trade DAT Transferred: Sony TCD-D8 >S/PDIF >Tascam DR-100mkII,
WAV >FLAC (Level 8) Via xACT 2.25 |
1 FLAC
|
|
| 136. |
07/03/93 |
Rock Torhout - Ghent,
Belgium |
A | Digital Soundboard | Trade DAT Transferred: Tascam DA-30 >S/PDIF >HHb CDR 800 PRO
CD Masters >FLAC (Level 8) Via xACT 2.37 By OldNeumanntapr |
2 FLAC
|
|
| 137. |
07/04/93 |
Werchter Rock Festival - Werchter,
Belgium |
A- | Aiwa CM 30 Stereo Cardioid >Sony TCS 430 Cassette | |
0 FLAC
|
|
| 138. |
07/19/93 |
Tanzbrunnen - Köln,
Germany |
A | Sennheisser MKE-40/6 (2) > Sony TCD-D3 DAT | Recorded Close To Stage By 'Reel Records'.
Transfer: Pioneer D-05 > E-MU 1212m (digital) PC > WAV > flac
Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC)
Disc 2, track 3: 30 seconds missing (at about 14 mins), spliced/pasted in from other recording
OKM-II (omni) > Sony TCD-D3, unknown location, Wolfman. |
0 FLAC
|
|
| 139. |
07/21/93 |
Paleo Festival - Nyon, Lausanne,
Switzerland |
A | Aiwa CM 30 Stereo Cardioid >Sony WM-D6C Cassette Master | Fill: 9/17/93 Erwin Center, Austin, TX (Audience)
#10. Down By The River |
0 FLAC
|
|
| 140. |
08/12/93 |
Civic Auditorium - Rapid City,
SD |
B+ | DSM-6P's->Sony TCD-D7 | 9th Row, Side; Digital Audience, Copy #1, (Noisy Crowd) |
1 DAT
|
|
| 141. |
08/29/93 |
Lakewood Amphitheatre - Atlanta,
GA |
A | Unknown Digital Audience | |
0 FLAC
|
|
| 142. |
09/06/93 |
The Meadows - Portland,
OR |
A- | FOB; DSM-6P's >Sony TCD-D3 DAT Master >DAT 1 >WAV >FLAC | (Recorded By Jason Sherrett, Transferred By OldNeumanntapr)
DAT Clone Transferred; Sony TCD-D8 >Tascam DR100mkII Via Analog I/O.
There Is A Touch Of Distortion In Places But Overall It's A Really Nice Recording |
1 FLAC
|
|
| 143. |
09/09/93 |
Pacific Amphitheater - Costa Mesa,
CA |
A- | Sony ECM-939T Stereo Cardioid >Sony TCD-D7 | 12 Row Center (90 meter DAT) |
1 DAT
|
|
| 144. |
06/24/95 |
Golden Gate Park - San Francisco,
CA |
A- | FOB; Audience: No Information | |
1 DAT
|
|
| 145. |
08/26/95 |
Royal Society Showgrounds - Dublin,
Ireland |
A | Unknown Audience | (w/Pearl Jam)
8/12/95 Stockholm Filler |
0 FLAC
|
|
| 146. |
10/01/95 |
Cardinal Stadium - Louisville,
KY |
A | FM Broadcast | Farm Aid |
0 FLAC
|
|
| 147. |
07/07/96 |
Werchter Rock Festival - Werchter,
Belgium |
A | Digital Soundboard | Crystal Cat CC524/5 - SB 6 Bootleg
With Filler From:
Theatre Antique, Vienne, France 1996-07-16
Torhout Festival, Belgium, 1996-07-06 |
0 FLAC
|
|
| 148. |
07/10/96 |
Leipzig Festwiese - Leipzig,
Germany |
A+ | Soundboard | |
FLAC
|
|
| 149. |
09/16/96 |
Cal Expo - Sacramento,
CA |
A | Neumann KM 54's >DAT | w/Crazy Horse |
0 FLAC
|
|
| 150. |
05/08/97 |
The Trocadero - San Francisco,
CA |
A | FOB: Schoeps >DAT | Both Early And Late Sets |
0 FLAC
|
|
| 151. |
07/11/97 |
Shoreline Amphitheatre (Early) - Mountain View,
CA |
A | Schoeps CCM4 > Sonosax SX-M2 > Sony TCD-D7 DAT >DAT Clone | Horde Tour, Early Show
Recorded Right In Front Of Speakers
Transfer: DAT > wav w/ Opcode DATPort >
CEP (normalization & sample rate conversion from 48kHz to 44.1kHz) >
track splits on sector boundaries w/ CDWav > flac
|
0 FLAC
|
|
| 152. |
07/13/97 |
Portland Meadows - Portland,
OR |
A | Beyer M 201s >Sony TC-D5 PRO II Cass Master | Late Show (Electric):
Conversion: Cass/0 > Sony TC-WR665S > Audiophile 2496 > Sound Forge > flac16
Recorded and cassettes provided by: John White
Converted by: Mark Domyancich (mark.domyancich@gmail.com) |
0 FLAC
|
|
| 153. |
07/15/97 |
Wolf Mountain (Late) - Park City,
UT |
B+ | Radio Shack Omnis >Sony TCD-D8 | |
0 FLAC
|
|
| 154. |
07/17/97 |
Irvine Meadows Amphitheatre (Late) - Irvine,
CA |
A | Beyer M 201s >Sony TC-D5 PRO II Cass Master | Late Show (Electric):
Conversion: Cass/0 > Sony TC-WR665S > Audiophile 2496 > Sound Forge > flac16
Recorded and cassette provided by: John White
Converted by: Mark Domyancich (mark.domyancich@gmail.com) |
0 FLAC
|
|
| 155. |
07/25/97 |
Deer Creek Music Center - Noblesville,
IN |
A+ | FOB 12th Row DEAD Center: Neumann KM 140s (ORTF) >Oade M160 Pre >Tascam DA-P1 | (Recorded By William Gardner)
Transfer:
DAT > optical > Hutch DAT copyprocessor mkII (no scms protection) > coax > PC w/Realtek s/pdif in @ 44.1kHz > Adobe Audition (fades i/o, level adjustments) > CDWav (tracking) > flac(8) |
0 FLAC
|
|
| 156. |
08/08/97 |
Great Woods Center For The Performing Arts - Mansfield,
MA |
B+ | Unknown Stereo Microphone >Sony WM-D3 (No Dolby NR) Maxell XLIIS 100 | |
0 FLAC
|
|
| 157. |
10/04/97 |
New World Music Theatre - Tinley Park,
IL |
A+ | Digital Soundboard; Westwood One DA-88 Multitrack >CDR >FLAC | |
0 FLAC
|
|
| 158. |
10/18/98 |
Shoreline Amphitheatre - Mountain View,
CA |
A+ | Neumann KM140s >EAA PSP/2 >Sony SBM-1 >DAT
DAT master >S/PDIF >computer >r8brain PRO >CD Wav >TLH >flac16 | ************************************************************************
FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork)
************************************************************************ |
FLAC
|
|
| 159. |
03/02/99 |
Queen Elizabeth Theatre - Vancouver,
BC |
A | Unknown Digital Audience; DAT Master > DAT clone(s) > Optical Cable-> Adobe Audition * > WAV > WavePad (tracking) > WAV > FLAC
(* peak limit -7db to lower level of applause, normalizing to 85%, edits, fades, crossfades, downsampling to 44,1 kHz) | Solo Acoustic |
0 FLAC
|
|
| 160. |
03/03/99 |
Queen Elizabeth Theatre - Vancouver,
BC |
A | Unknown Digital Audience; DAT Master > DAT clone(s) > Optical Cable-> Adobe Audition * > WAV > WavePad (tracking) > WAV > FLAC
(* peak limit -7db to lower level of applause, normalizing to 85%, edits, fades, crossfades, downsampling to 44.1 kHz) | Solo Acoustic |
0 FLAC
|
|
| 161. |
03/05/99 |
Paramount Northwest Theater - Seattle,
WA |
A | Unknown Digital Audience; DAT Master > DAT Clone(s) > Optical Cable > Adobe Audition * > WAV > WavePad (Tracking) > WAV > FLAC
(* peak limit -9db to lower level of applause, normalizing to 85%, edits, fades, crossfades, downsampling to 44,1 kHz) | |
0 FLAC
|
|
| 162. |
03/08/99 |
Arlene Schnitzer Concert Hall - Portland,
OR |
A+ | Core Sound Binaurals >Sony TCD-D8 | (Recorded Front Row, Slightly Left Of Center)
Transfer: DAT Master >Sony R500 >MBox >Protools >xACT >fFLAC |
0 FLAC
|
|
| 163. |
03/09/99 |
Arlene Schnitzer Hall - Portland,
OR |
A+ | Front Row Center: Core Sound Binaurals >Sony DAT | (My Show Has Unknown Filler Tracks, End Of Disc I: 'Nowadays Even Clancy Can't Sing', 'On the Way Home ', 'Birds', 'Ambulance Blues','Red Sun') |
1 FLAC
|
|
| 164. |
03/19/99 |
Berkeley Community Theater - Berkeley,
CA |
B+ | FOB: Sony ECM 909 >Sony WM-D3 Audience Master >CDR >FLAC | XLII 90 Masters Transferred To CDR Via: Sony TC-D5M >HHb CDR 800 PRO
CD Masters >WAV >Audacity (Combine Tracks To A One-Track File, Amplify, Minor Edits, Create New Track Splits) >FLAC (Level 8) + Tags Via xACT 2.39
Recorded By Rick Williams
XLII 90 Mastesr Transferred, Audacity, FLAC, & Tags By OldNeumanntapr
Some Microphone Handling Noise & Crowd Noise |
2 FLAC
|
|
| 165. |
03/19/99 |
Berkeley Community Theater - Berkeley,
CA |
A | Unknown Digital Audience | DAT master 44,1 kHz -> DAT clone(s) -> optical cable -> Adobe Audition * -> wav -> WavePad (tracking) -> wav -> flac
(* peak limit -10db on applause segments, edits, fades, crossfades) |
0 FLAC
|
|
| 166. |
03/20/99 |
Paramount Theatre - Oakland,
CA |
A+ | FOB: Neumann KM-54's >Tascam DA-P1 | DAT > CDR EAC > wav > mkw > shn > Adobe Audition (recut) > FLAC |
2 FLAC
|
|
| 167. |
03/23/99 |
Wiltern Theatre - Los Angeles,
CA |
A+ | Soundboard | |
FLAC
|
|
| 168. |
04/14/99 |
Fox Theatre - St. Louis,
MO |
A | B&K 4021's->EAA-PSP2->Denon DTR-80P (Stealth FOB) | Trade CDs >FLAC (Level 8) Via xACT 2.37 |
2 FLAC
|
|
| 169. |
10/30/99 |
Shoreline Amphitheatre - Mountain View,
CA |
A | Neumann AK-40s >LC3 >KM-100s >EAA PSP/2 >Sony SBM-1 >Sony PCM-M1 | Lineage: DAT Master >AES/EBU >Computer >R8brain PRO >CD WAV >TLH
**********************************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
**********************************************************************
Bridge School Benefit, Acoustic |
FLAC
|
|
| 170. |
10/31/99 |
Shoreline Amphitheatre - Mountain View,
CA |
A | Neumann AK40s >LC3 >KM100s >EAA PSP/2 >Sony SBM-1 >PCM-M1 | DAT master >S/PDIF> computer >r8brain PRO >CD Wav >TLH
**********************************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
**********************************************************************
(Filed With Bridge School Benefits) |
|
|
| 171. |
09/28/00 |
County Bowl - Santa Barbara,
CA |
A | Neumann KM-140's >Sound Devices MP2 >Sony SBM1 >Sony TCD-D8 DAT Master >HHb CDR830 > EAC > Adobe Audition >CD Wave >FLAC16 | Listed As 'KM-140's' But LC3 Active Cables Likely Used. Some Crowd Noise, But Really Clear Sound With Tight Strong Bass. |
2 FLAC
|
|
| 172. |
10/28/00 |
Shoreline Amphitheatre - Mountain View,
CA |
A | Neumann AK40s >LC3 >KM100s >EAA PSP/2> Sony SBM-1 >DAT | (Neil Young & Friends and Relatives)
**********************************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr
**********************************************************************
01. Are You Ready For The Country
02. Old Man
03. Daddy Went Walkin'
04. Heart Of Gold
05. Razor Love
06. Red Sun
07. Tonight's The Night
total time: 44:16.43 |
FLAC
|
|
| 173. |
01/10/01 |
Warfield Theatre - San Francisco,
CA |
A | Schoeps CCM4 > Aerco MP2 > SBM1 > Sony D8 | Recorded 20 feet back, dead centre, at the front of the first raised section of floor.
Transfer 2001:
Sony R500 DAT > Audiomedia III > PowerMac 9600/350 > ProTools > 4.1.1. Digital editing >
Jam 2.6 > Plexwriter CDR burner.
CDR > eac > flac transfer 2009
Master: zuma11 |
0 FLAC
|
|
| 174. |
07/24/01 |
Ahoy Hall - Rotterdam,
The Netherlands |
A+ | Unknown Audience; Crystal Cat Liberated Bootleg | Lineage: CD Silver Bootleg > EAC > TLH > flac 8 > Dime
Extracted from Silver on 9 August 2008. |
0 FLAC
|
|
| 175. |
09/29/01 |
Verizon Wireless Music Center - Noblesville,
IN |
A+ | Digital Soundboard; Westwood One DA-88 Digital Recorder >CDR >FLAC | (Farm Aid 2001. 37 Minutes) |
0 FLAC
|
|
| 176. |
05/18/02 |
Rock am Ring - Nürburgring,
Germany |
A+ | TV (Satellite) > Sony SBM-1 (44.1 kHz) > Sony TCD-D100 | dat>shn:
Sony PCM-R300 > coax cable (custom made) > DiO 2448
> Cool Edit Pro 1.2a > CDWave 1.6 > mkwACT 0.97b1 > shn > Xact 2.24> Flac |
0 FLAC
|
|
| 177. |
09/21/02 |
Post Gazette Pavilion (Farm Aid) - Burgettstown,
PA |
A | Soundboard; Westwood One DA-88 Digital Recorder > Unknown CDR | |
0 FLAC
|
|
| 178. |
04/30/03 |
Tempodrom - Berlin,
Germany |
A | OKM-11s >Sony TCD-D100 | Trade CDs >FLAC (Level 8) Via xACT 2.37 |
2 FLAC
|
|
| 179. |
07/02/03 |
Tweeter Center - Camden,
NJ |
A+ | Soundboard / Audience Matrix | |
0 FLAC
|
|
| 180. |
09/28/03 |
Crossroads Meadow - Firestone Vineyards - Los Olivos,
CA |
A | Schoeps CMC 6 w/MK-41's >Sonosax SX-M2 >Sony TCD-D8 (two rows from the stage - right hand side - in reserved section) | Trade CD >FLAC (Level 8) Via xACT 2.37 |
1 FLAC
|
|
| 181. |
08/18/05 |
Ryman Auditorium - Nashville,
TN |
A | Source1: Audience Schoeps CCM4 > Aerco MP-2 > SBM-1 > TCD-D8
Source2: Audience AT Slimlines > PCM-M1
Transfer: DATs > R500 > MBOX > ProTools (2 source Mix) > Toast > CDR > EAC > xACT2.18 | |
0 FLAC
|
|
| 182. |
10/30/07 |
Nokia Theatre - Los Angeles,
CA |
A | FOB; DSM-6P's >PACLC >Sony PCM-M1 DAT >CDR >FLAC | Trade CDs >FLAC (Level 8) Via xACT 2.37 |
2 FLAC
|
|
| 183. |
12/02/07 |
Orpheum Theater - Boston,
MA |
A- | Schoeps > Nbox > Edirol R-09 (16bit/44.1khz) | transfer: Soundforge> FLAC
Recorded Somewhere In The First 10 Rows By Ride My Llama
Acoustic set sound is good
Electric set sound is a little muddy |
0 FLAC
|
|
| 184. |
12/03/07 |
Orpheum Theater - Boston,
MA |
A | Schoeps > Nbox > Edirol R-09 (16bit/44.1khz) | Recorded Very Close To Stage By Ride My Llama |
0 FLAC
|
|
| 185. |
12/09/07 |
Tower Theatre - Upper Darby,
PA |
A+ | Soundboard; Wolfgang's Vault Digital Web Stream | |
0 FLAC
|
|
| 186. |
12/10/07 |
Tower Theatre - Upper Darby,
PA |
A+ | Soundboard; Wolfgang's Vault Digital Web Stream | |
0 FLAC
|
|
| 187. |
12/15/07 |
The United Palace Theater - New York,
NY |
A | Schoeps CCM4's > SD 744T (24bit/96khz) | Recorded from the 4th Row, directly in front of the left stack.
Firewire to hard drive of dedicated music only computer > Bit Conversion and re-sampled to 16/44.1 with Sound Forge 7.0 > indexed in Sound Forge 4.5 > CD set up with CD Architect 4.5 > CD burned with CD Architect 5.0 onto Mitsui Gold CD > Extracted to Internet Capable Computer with EAC > FLAC. |
0 FLAC
|
|
| 188. |
12/16/07 |
United Palace Theatre - New York,
NY |
A | Schoeps CCM4 > Aerco MP-2 > Edirol R-09 (24bit/48khz) | (Recorded By Zuma 11)
transfer: Pro Tools > 16bit/44.1k > xACT1.5b3 > flac(8) |
0 FLAC
|
|
| 189. |
12/16/07 |
United Palace Theatre - New York,
NY |
A+ | Soundboard | |
FLAC
|
|
| 190. |
12/18/07 |
United Palace Theatre - New York,
NY |
A | Schoeps CCM4 > Aerco MP-2 > Edirol R-09 (24bit/48khz) | (Recorded By Zuma 11)
transfer: Pro Tools > 16bit/44.1k > xACT1.5b3 > flac (8) |
0 FLAC
|
|
| 191. |
12/19/07 |
United Palace Theatre - New York,
NY |
A | Schoeps CCM4 > Aerco MP-2 > Edirol R-09 (24bit/48khz) | (Recorded By Zuma 11)
transfer: Pro Tools > 16bit/44.1k > xACT1.5b3 > flac (8) |
0 FLAC
|
|
| 192. |
02/28/08 |
Falconer Salen - Copenhagen,
Denmark |
A+ | DPA 4061's >SP-SPSB-1 >Rockbox >Equalizing >Cdwave >FLAC | Trade CDs >FLAC (Level 8) Via xACT 2.37 |
2 FLAC
|
|
| 193. |
07/11/08 |
Sportpark Boshoven - Weert,
The Netherlands |
A | DPA SMK 4060 > DPA MMA 6000 > M-Audio Microtrack II | ************************************************************************
FLAC Tags Via xACT 2.52 By OldNeumanntapr (+ front cover artwork)
************************************************************************ |
FLAC
|
|
| 194. |
10/18/08 |
Brandt Centre - Regina,
SK |
A | Olympus LS-10 Digital Recorder >FLAC >CDR >FLAC | |
2 FLAC
|
|
| 195. |
04/25/09 |
Enmax Centre - Lethbridge,
AB |
A+ | Schoeps > Nbox >Edirol R-09 | Location: Left stack reserved seating |
0 FLAC
|
|
| 196. |
06/04/10 |
Jones Hall - Houston,
TX |
A+ | Dead Center: Schoeps CCM4 > Aerco MP-2 > Edirol R-09 (24bit/48khz) | transfer: Pro Tools > 16bit/44.1k (fades and cleanup) > xACT1.5b3 > flac(8)
torrented by zuma11 |
0 FLAC
|
|
| 197. |
07/12/10 |
Fox Theater - Oakland,
CA |
A- | Schoeps MK4s >RBox >Tascam DR100 (24bit/48kHz) | (Acoustic Show, Low Levels, Crowd Noise In Hall)
Recorded By DaspyKnows From Row W, Far To The Left. Opposite Side Of Night Before.
Daspy Notes:
Rowdier crowd than the first night so more crowd in the hall. Fortunately I was in a jackass free zone so there is less annoying crowd noise. |
0 FLAC
|
|
| 198. |
04/24/11 |
Avery Fisher Hall - New York,
NY |
A- | Schoeps CCM4's > SD744T @ 24bit/96kHz
> firewire to hard drive of
dedicated music only computer > Bit Conversion and re-sampled to 16/44.1
with Sound Forge 7.0 > indexed in Sound Forge 4.5 > CD set up with CD
Architect 4.5 > CD burned with CD Architect 5.0 onto Mitsui Gold CD >
Extracted to Internet Capable Computer with EAC > FLAC.
| ************************************************************************************
FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Amplify And Normalize, Insert .20 milliseconds Of Silence At Beginning Of Track Two To Emulate A ‘Faked’ Stereo Image. Re-Track On Original Index Points, And Split Track 5 From Disc One Into Three Separate Tracks.) >FLAC (Level 8) + Tags Via xACT 2.53 (And Front-Cover Artwork) By OldNeumanntapr
************************************************************************************ |
FLAC
|
|
| 199. |
10/22/11 |
Shoreline Amphitheater - Mountain View,
CA |
A- | Schoeps MK4s >NBox >Tascam DR100 (24bit/48kHz) | (Bridge School Benefit)
Recorded & Processed By Daspyknows, Section 201 Row N Seat 27.
Processed Using Soundforge 10b, Resample To 16bit/44.1kHz
TLH To Convert To FLAC |
0 FLAC
|
|
| 200. |
10/22/11 |
Shoreline Amphitheater - Mountain View,
CA |
A | SEC 102 Center: Schoeps MK4 >Naiant Tinybox >Sony PCM-M1 DAT (16bit/48kHz) | (Closing Set Only)
Recorded by an anonymous taper, files shared by Hurricane and uploaded by Daspyknows.
Recorded Section 102 row and seat not disclosed.
|
0 FLAC
|
|
| 201. |
08/05/12 |
Red Rocks - Morrison,
CO |
A | Schoeps CCM4 > Naiant Tinybox > PCM-M1 DAT > HHB > CDR > AIFF | Transfer: AIFF > ProTools (slight retracking) > xACT 2.20 > flac(8)
Taper: notme (taped in front of the right stack, within the first 6 rows) |
0 FLAC
|
|
| 202. |
11/11/12 |
Rogers Centre - Vancouver,
BC |
A- | CA-14 Cardioids >CA-9100 >Zoom H4n (XLR inputs) (24 bit/48 kHz) | Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [iZotope Mastering Suite (declick); minor edits, normalize, & fades] > CDWav (tracking) >
iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 5.1 (tagging)
Location: Sitting in section 312 row 8 (3rd row). Seat was slight ROC.
Recorded by: Seth Meister
Mastered by: Dennis Orr |
0 FLAC
|
|
| 203. |
07/25/13 |
Piazza Napoleone - Lucca,
Italy |
A | Schoeps MK4s >Tinybox >Edirol R-09 (16bit/44.1 Khz) | Transfer: SD/USB > 16 bit>Soundforge 7.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac
Location: Gold Statue seats almost dead center
Recorded By: ridemyllama |
0 FLAC
|
|
| 204. |
01/07/14 |
Carnegie Hall - New York,
NY |
A | Audio Technica AT-943 Cardioids >SP-SPSB >10>MM-AT-1 >Zoom H2N (24/48) | Recorded By 'Mr. Railing' |
2 FLAC
|
|
| 205. |
03/29/14 |
Dolby Theatre - Hollywood,
CA |
A | AT853 sub-cardioids >Sony PCM-M10 (24/96) | Adobe Audition CS6 (normalize, resample/dither to 16/44.1) >CDWaveEditor 1.96 >TLH >Flac
(Recorded By David Sell, Mezzanine 1, Row F |
0 FLAC
|
|
| 206. |
04/02/14 |
Dolby Theatre - Hollywood,
CA |
A | Schoeps CCM4s > Tinybox > Sony PCM-M10 (16/44) | |
2 FLAC
|
|
| 207. |
10/08/15 |
Matthew Knight Arena - Eugene,
OR |
A | Milab VM-44-links [No Bodies] >Naiant (Milab) Tinybox >Sony PCM-M10 >(24bit/48khz) | ******* 24 Bit Version NOT Intended To Burn Direct To CD *******
Transfer, Editing & Mastering:
Internal card reader > iMac 3.06 GHz i3/12GB OSX 10.11 > Wave Editor 1.57(Audiofile Engineering) [tracking- fades in & out] [normalize to -.5db] [in native wave editor format 32 bit 48khz] > Wav24/28 > xAct 2.36 to flac level 8 , metatagging, fingerprints etc.
w/Lucas Nelson & Promise Of The Real
Neil Young - vocals, acoustic guitar, electric guitar, piano, pump organ, harmonica
Lukas Nelson - electric guitar, vocals
Micah Nelson - electric guitar, electric charango, piano, vocals
Corey McCormick - bass, vocals
Anthony Logerfo - drums
Tato Melgar - percussion |
0 FLAC
|
|
| 208. |
10/10/15 |
Santa Barbara Bowl - Santa Barbara,
CA |
A | FOB: AT-943 Cardioids >Tiny Box >Sony PCM-M10 | |
0 FLAC
|
|
| 209. |
04/28/16 |
Ascend Amphitheatre - Nashville,
TN |
A- | Sonic Studios DSM-6P w/3-way lo-cut filter > Edirol R-09 @ 16 bit/44.1 kHz | Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [iZotope Mastering Suite (declick); minor edits, normalize, & fades] > CDWav
(tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 5.1 (tagging)
Location: Behind the lawn, sitting on a picnic table in the concrete beer garden pavilion, 100 - 120 yards from the stage
Recorded by: Steve "ballsdeep" Hagar
Mastered by: Dennis Orr |
0 FLAC
|
|
| 210. |
05/21/16 |
Pantages Theatre - Hollywood,
CA |
A | Schoeps MK40s >Tinybox >Edirol R-05 (24bit/48Khz) | Transfer: SD/USB > WAV >(16bit/44.1 Khz)>Soundforge 10 (normalize, fades)> DBPoweramp > flac(8)
Transferred by: ridemyllama
Recorded By: ridemyllama
Recording position: section 100 floor |
0 FLAC
|
|
| 211. |
07/21/16 |
Waldbühne - Berlin,
Germany |
A | MBHO KA200N >Naiant Tinybox >Tascam DR-2D (24bit/96khz) | (Recorded & Transferred By Unknown)
location: behind the bushes, under the stars
record format: 96.0 kHz / 24 bit
final format: 44.1 kHz / 16 bit
editing: Reaper v5.211/x64
track splitting: CDWave v1.98
FLAC encoding: Trader's Little Helper v2.7.0 |
0 FLAC
|
|
| 212. |
10/08/16 |
Empire Polo Club - Indio,
CA |
A- | LOC: Schoeps MK4s >NBox Platinum >Sony PCM-M10 (24bit/48khz) | (Some Crowd Noise)
Recorded By Scooter |
0 FLAC
|
|
| 213. |
10/15/16 |
Empire Polo Grounds - Indio,
CA |
A | FOB: Schoeps MK4s >NBox >Tascam DR2D (24bit/48khz) | Recorded & Processed by Daspyknows
Recorded From Back Wall Of The Pit At Right Stack
Processed Using Soundforge 11, Resample To 16bit/44.1K
WAV Files Sent Privately By Daspy.
WAV >FLAC (Level 8) + Tags Via xACT 2.37 By OldNeumanntapr
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0 FLAC
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| 214. |
05/01/18 |
Warnors Theater - Fresno,
CA |
A | Schoeps MK4s >NBox Platinum >Tascam DR2D (24bit/48khz) | Recorded by Daspyknows
Row T Center Aisle
Processed Using Soundforge 11, Resample, To 16bi/44.1khz
WAV Files Sent Privately By Daspy
WAV >FLAC (Level 8) + Tags Via xACT 2.47
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0 FLAC
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| 215. |
05/02/18 |
Warnors Theater - Fresno,
CA |
A | Schoeps MK4s >NBox Platinum >Tascam DR2D (24bit/48khz) | Recorded by Daspyknows
Row R Center Aisle
Processed Using Soundforge 11, Resample, To 16bi/44.1khz
WAV Files Sent Privately By Daspy
WAV >FLAC (Level 8) + Tags Via xACT 2.47 |
0 FLAC
|
|
| 216. |
05/05/18 |
Fox Theatre - Bakersfield,
CA |
A | Schoeps MK40 >Tinybox >Edirol R-05 (24bit/48khz) | (Recorded & Transferred By Ridemyllama)
Converted To 16bit/44.1khz With CDWav.
Transfer: Soundforge 10 (Normalizing) >FLAC (Level 8)
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0 FLAC
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| 217. |
05/06/18 |
Fox Theatre - Bakersfield,
CA |
A | Schoeps MK40 >Tinybox >Edirol R-05 (24bit/48khz) | Recorded & Transferred By Ridemyllama
Transfer: Soundforge 10 (Normalizing) >FLAC (Level 8)
(Converted To 16bit/44.1khz With CDWav) |
0 FLAC
|
|
| 218. |
06/21/18 |
Lobero Theatre - Santa Barbara,
CA |
A | Front Row Center: Edirol R09 w/Internal Microphones | Recorded By Johnieappel
Transfer: SD card > MacBook Pro > Audacity > Wav > xACT > FLAC
Flying -M- Notes:
"johnieappel" noted that these were the raw files and he wouldn't mind if someone properly mastered this.
I contacted John and got his approval and after a couple of days with the headphones and the wave editor here you go...
Mastering lineage: iZotope RX6 advanced & Har-Bal 3.0 > CD Wave > TLH (Flying -M-) |
0 FLAC
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| 219. |
06/30/18 |
Auditorium Theater - Chicago,
IL |
A+ | Soundboard | ************************************************************************
FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork)
************************************************************************ |
FLAC
|
|
| 220. |
07/12/18 |
Boch Center/Wang Theatre - Boston,
MA |
A | Schoeps MK4V Radial Cardioids (In A Kangol Hat) > Nbob Actives > Nbox Platinum > Roland R-05 (24bit/48kHz) | Recorded 2nd Row Of Mezzanine, Just Right Of DFC, By Jim Kelly (musicjaime).
Post Production By Dennis Orr |
0 FLAC
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| 221. |
09/30/18 |
Tower Theater - Upper Darby,
PA |
A | Schoeps MK6 (c) > Actives > Baby Nbox > Edirol R-07 (24bit/44.1khz) | Recorded By Ed Tyre
Adobe Audition CC 12.0 > xACT 2.45 > FLAC 16bit/44.1khz |
0 FLAC
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|
| 222. |
02/04/19 |
Centennial Concert Hall - Winnipeg,
MB |
A- | Tascam DR-07 w/Internal Microphones | |
0 FLAC
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|
| 223. |
05/21/19 |
Paramount Theater - Seattle,
WA |
A | Schoeps MK4s >Nbox Platinum Tascam DR-2D (24bit/48khz) | Recorded By Daspyknows, 12th Row Dead Center.
Processed Using Soundforge 11, Resample To 16bit/44.1khz
WAV Files Sent Privately By Daspy
WAV >FLAC (Level 8) Via xACT 2.47 By OldNeumanntapr |
0 FLAC
|
|
| 224. |
05/25/19 |
Napa Valley Expo - Napa,
CA |
A | Schoeps MK41s >Baby NBox >Tascam DR-2D (24bit/48khz) | Recorded by Daspyknows, Halfway Between Stage And Soundboard GA Side Center Rail.
Processed Using Soundforge 11, Resample To 16 bit/44.1khz
WAV Files sent privately By Daspy.
WAV >FLAC (Level 8) Via xACT 2.47 By OldNeumnanntapr |
0 FLAC
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